Archive for the ‘Video Software Tips’ Category

A New Perspective – Quick Tips for interesting Video

Wednesday, January 20th, 2010

Video and Film is all about creating a new perspective. Show your audience something they wouldn’t have seen had they been there actually witnessing the event. Here are some quick tips.

Frame Rate – The human eye has a frame rate of somewhere between 30 frames per second and 50 frames per second. (The number is under significant debate.) Change up the frame rate. Shoot 15 for that viral computer look. Shoot 24 for a professional film look. Shoot 60 for a slow crystal-clear look. (Today, 60 is mostly being used in video games.)

Angle – Don’t shoot at eye-level. That’s boring. Hold the camera at your chest. Put the camera on the floor. Get as high as you can. These perspectives are not readily accessible in everyday life, so let’s make them available to our audiences.

Color – In most cases with most people, the color temperature of the eye is a perfect white balance. So, for a new perspective, change the color. Use orange to create warmth, heat, or passion. Use blue to create melancholy, cold weather, or night time.

These are quick tips, but just think about what the human eye sees, then do something completely contrary!

After Effects – Maintain Transparency

Monday, September 14th, 2009

Here’s the situation. You’ve created this ridiculously wicked graphic in After Effects, and now want to matte it over an image in another program (usually Final Cut). However, when you export it, the area that is supposed to be transparent is instead a big black area that covers up the image you’re trying to overlay your graphic on.

How do you maintain transparency when exporting out of AE? Well, what I’m about to tell you is universal to every design program (PhotoShop, Illustrator, FCP, Motion, AE, LiveType, etc.). Only the logistics will change.

In AE, notice at the bottom of the composition window a button that looks like a checker board. Click it, and everything in your image that is supposed to be transparent is now a checker board. It is not necessary for this feature to be on to maintain transparency, but it’s always a good idea to check and see what it will look like after exporting.

Go to composition, and select “Add to render Queue”. In this window, select “Output Module”, and a new window will pop up. In order to maintain transparency, you must be able to select the Color Channel and set it to “+ Alpha”. There is a couple of ways to do this in AE. You can do it here on this window, select ”Channels”. Or you can select “Format Options”. There should be a drop down window labeled “Depth”. Your depth should be set to either “RGB + Alpha” or “Millions of Colors+” (this is simply short-hand for +Alpha). Not all formats can maintain transparency, so for video I suggest “Animation” and for stills “PNG”. Experiment with formats to find the best one for you.

… Gosh, I feel like everyone can see right through me.

Final Cut Pro – The Dreaded X

Saturday, September 12th, 2009

“Help! My footage in FCP has been replaced by an X! Have I lost my footage?”

First of all, take a deep breath. Nothing has happened to your footage. Chances are, you have activated the ‘wireframe’ view in FCP, and it is preventing preview.

Notice the three tabs at the top of the canvas or viewer. The first should give a percentage, the second should look like this “lxl”, and the third should be a box. Click on the box and your first three choices should be 1) image, 2) image + wireframe, 3) wireframe. Select image or image + wireframe, and your footage should return.

Wireframes are there so that you can resize your image or create animation directly on the canvas without having to access the footage directly.

… so calm down.

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